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Many of the synth tracks are used as a complement to the songwriting, sitting alongside live instruments to form an overall cohesive artpiece. The album’s slick sound was a result of utilising at-the-time brand new technology, as well the duo’s perfectionism. They also had a LinnDrum LM-2, another recent acquisition.” Stanley’s newly expanded home studio included a 32-channel Soundcraft console, a 24-track analog tape machine and room for the band’s keyboard and synthesizer collection, which included such classic designs as Sequential Circuits Prophet 5, Fairlight CMI, Roland Jupiter 8, Yamaha DX7 synthesizer and PPG Wave. “Their layered style of recording also made it easier to work from Stanley’s home studio, which the band had recently upgraded using advance money from the second album. By this point the group owned an enviable collection of analog synthesizers: Around the time of Songs from the Big Chair they were joined by key member Ian Stanley who acted as the bands keyboardist. Tears for Fears, a duo consisting of Roland Orzabal and Curt Smith, are primarily songwriters, rather than producers, and they switch roles frequently when collaborating. A new-wave classic, the album is a masterclass of songwriting and production, and it has a more mature feel than many albums of their contemporaries. Tears for Fears’ Songs from the Big Chair was released in 1985 and spawned the hits Shout, Everybody Wants to Rule the World and Head Over Heels.